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Musical Leipzig

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Musical Leipzig

Erleben Sie spektakuläre Shows und mitreißende Musicals live in Leipzig. Die besten Plätze erhalten Sie beim Marktführer Eventim. Der Veranstaltungskalender der Stadt Leipzig bietet Veranstaltungen in und um Leipzig, tagesaktuelle Events, Veranstaltungsh hepunkte, Ausstellungen. Jetzt Tickets bestellen. Der Spielplan des Gewandhaus zu Leipzig beinhaltet Konzerte, Highlights und Veranstaltungen vom Gewandhausorchester u.v.m.

This exhibition room was sponsored by the Ostdeutsche Sparkassenstiftung, Berlin, and the Sparkasse Leipzig.

The centrepiece of this exhibition room is an organ for a very good reason. Bach appreciated no other musical instrument as he did the organ.

He composed numerous works for organ, which today still count among the most demanding literature for this instrument, and was considered the most renowned organ virtuoso of his time.

A famous organ expert, he also examined organs throughout his life. The console was part of an instrument made by organ-builder Johann Scheibe.

He built it for St. In , Bach was invited to inspect the new instrument. That is why we know for certain that Bach sat on this organ seat and played this instrument.

The console is only partly original. Parts were replaced or renewed during repair work in the 19th century.

It was also badly damaged in the Second World War. At that time, the keys, the music stand, the section on which the stand was secured, and various organ stops were lost.

Nevertheless the console is the only preserved section of a Leipzig Bach organ anywhere in the world. Between and the console was completely restored for the exhibition in the Bach Museum.

The restauration of the organ console was sponsored by Mr. Christian Peter Henle, Mülheim Ruhr. This room is devoted to the world of Baroque instruments.

The exhibits are a series of historical musical instruments. Throughout his life, Johann Sebastian Bach was deeply interested in the way instruments worked, and in acoustics and the problems of tuning.

Visitors can find out more about how the historical instruments sound from our virtual baroque orchestra on the wall.

The instruments being played in the piece at the moment are marked by a light signal. If you press the corresponding button, the sound of the instrument will be amplified so you can hear it more distinctly.

The virtual baroque orchestra plays three pieces: the Gigue from the Orchestral Suite No. The chorale has been arranged for the full orchestra so that visitors can get to know the sound of each individual instrument.

Bach himself would never have had an orchestra of this size at his disposal. This violone is owned by St. The churches in Leipzig always kept a basic reserve of musical instruments to be used in the rich musical life of the church.

The cantors of St. In his orchestra, the violone was the stringed instrument with the lowest register. As the violone was in continual use until recent times, it has had several changes made to it over the years — with, for example, the neck, pegbox, bridge and scroll all replaced in the 19th century.

In he asked him to look after the instruments of St. Hoffmann on the other hand mentioned Bach in his will. Bach used such an instrument in the St.

John Passion. Not only that, but the family also had countless guests. A family tree gives an overview of Bach, his wives and children.

Nevertheless, we have very little secure evidence about their family life, and what we do know is extremely sparse.

This room also displays the only known original piece of furniture from the Bach family home. This heavy iron chest is the only piece of furniture known to have come from the Bach family home — though that fact was only discovered in The chest stood for many years in the Meissen Cathedral Museum, where it was used as a collecting box for donations.

Johann Sebastian Bach used this monogram as his letter seal from onwards. The letters JSB appear twice, once from left to right, and once as a mirror image from right to left.

The emblem is topped off with a five-pointed crown. The paintwork dates from the first half of the 18th century and is a sure indication that the chest belonged to the Bach family.

Bach was employed at court for 15 years. From to , he was the court organist and concert master in Weimar, and from to , he was the capellmeister in Köthen.

But even before and after these periods, he attached great importance to having good contacts at court. Such titles increased his social standing and were extremely useful when making his concerns known to those in positions of authority.

Cultural life in the 18th century was decisively influenced by the courts. Aside from the royal court in Dresden, which set the style trends, Central Germany also had many regional rulers with small courts and palaces, who were well able to afford their own orchestra.

Splendour and luxury epitomised life at court, and music was an important factor in their expression.

When Bach accepted the post of cantor of St. The cantorate of St. Bach was responsible for the music in the main churches of St.

Nicholas and St. Thomas, and took on a wide range of musical duties, both spiritual and secular. And as well as directing the St.

On the floor, visitors can see a map of the city from , the year Bach moved to Leipzig. The media stations tell about his official duties in the city.

Why not take a short walk through Baroque Leipzig? Much of the original street plan and many of the original street names have remained unaltered to this day.

This exhibition room was sponsored by the Ostdeutsche Sparkassenstiftung, Berlin, together with the Sparkasse Leipzig and by Dr.

Arend Oetker, Berlin. Every single one of his compositions may be called up from the media stations. This exhibition room was sponsored by the Ostdeutsche Sparkassenstiftung, Berlin, together with the Sparkasse Leipzig.

The Leipzig Bach Archive, to which the Bach Museum is attached, is dedicated to research on the lives and works of the widely branching family of musicians.

Among many other responsibilities its research fellows make accessible musical sources and documents and prepare musical editions.

In the course of the editorial work refined methods of analyzing paper types and scribal hands led to groundbreaking chronological findings, which resulted in a fundamentally new understanding of Bach and his music.

We have learned, for example, that Bach composed nearly all his Leipzig cantatas during his first years as Thomascantor.

His workload in this period was enormous. The Research Laboratory aims to provide insights into the working methods and projects of Bach research.

Visitors are invited to try their hand at dating a manuscript or to trace the stages of a critical edition. Werner Minzlaff, Falkensee.

In the Treasure Room, the Bach Museum exhibits its most valuable items. The collection was bought by the University of Leipzig in , paid for partly by the State of Saxony and partly by the publisher C.

Peters , and was opened in the New Grassi Museum in Parts of the collection were removed for safekeeping during World War II, but a large number of the remaining items were destroyed during a bomb raid on the building in , including the Ibach pianos, the archive and the library.

After the war it transpired that the items which had been removed were also significantly damaged or lost, owing to improper storage or theft.

Starting in the s, the museum was gradually rebuilt and reopened to the public. The collection was expanded anew over the following decades, through purchases and donations.

The museum is a member of the Konferenz Nationaler Kultureinrichtungen , a union of more than twenty cultural institutions in the former East Germany.

The permanent exhibition presents the major eras of musical history in particular that of Leipzig and instrument technology. The oldest exhibits date from the 16th century.

The exhibition is chronologically ordered and divided into 13 sections. Besides those mentioned above, the most important collections include bowed , wind and percussion instruments, piano rolls , the collection of Friedrich von Amerling , and a theatre organ.

The museum also contains a sound laboratory where musical instruments can be tested out.

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Musical Leipzig Video

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Musical Leipzig Das Phantom der Oper in Leipzig

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Musical Leipzig - Top Musical Veranstaltung: Die Nacht der Musicals in Leipzig

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Musical Leipzig - Die Nacht der Musicals in Leipzig

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Musical Leipzig Video

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The Leipzig Music Trail, Notenspur, is a fun way to see the city and great family activity.

There are four different venues in the building so if you are on a tight budget or the main auditorium is sold out you may still find something to suit your interests and budget.

Alternatively if you visit after dark as the concerts are ending around 9. They show up much better when lit up at night.

Augustusplatz is also home to the the Leipzig Opera House. These two musical giants stand opposite one another on the square. Buskers seem to position themselves at every street corner in this musical city.

You can catch musicians in the churches and various halls around the city. I stumbled into organ practice very early on a Sunday morning in the summer in St Thomas Church.

There are plenty of festivals too; the A Cappella International Festival for Vocal Music has been plucking tunes out of the air for twenty years.

Even the 20, goths who visit the city each year have been known to boogie to a band or two. Leipzig has long been a home of cabaret theatre.

And if you visit the Christmas Market as we did on our Find me a Bauble tour , you might get to meet the singing Santa.

The St Thomas Church boys choir Thomanerchor has existed for years. Children audition from across Germany for a place in the choir and its most famous choirmaster was Bach himself.

Even the street art takes on musical forms on Sebastian Bach Strasse in Leipzig. Coffee has been served since and regulars included Robert Schumann, who had his own seat.

Bach, Goethe, Liszt, Wagner and Mahler all popped in for a brew or two as well. At least here he has no access to violins.

Zum Coffe Baum is the oldest coffee shop in Leipzig. Schumann, Mendelssohn and other greats still have coat hooks here!

The sounds are free, you just pay for your drinks. A member of the audience joins in on the drums at one point and I glare at Stuart in case he has any thoughts.

When wandering back to our hotel we hear a pianist in Mephisto Bar , part of one the most famous kellers in town.

This city may sing with the angels, but the devil has a few good tunes too. Leipzig may be famous for its classical musical history, world class concert hall, boys choir and orchestra but there is so much more to this city of music than that.

The free musical moments and vibe around the city are the real draw for me. Check out this video we produced of our day in the musical life of Leipzig today.

There are various ways to get to Leipzig , which is in Saxony in Central Germany. If you are travelling from Europe, the easiest way is by train.

Leipzig is on the DB network with good connections to other European cities and Leipzig Station is an architectural delight to visit and a shopping destination of repute too.

We flew from Manchester to Dusseldorf, had lunch in the city and then took a connecting flight to Leipzig on the way out, and returned via train and a flight from Berlin.

It took under two hours to get to Leipzig from Berlin on a fast, comfortable Intercity train. Leipzig Station is an architectural gem and connects the city to the DB network.

This room is devoted to the world of Baroque instruments. The exhibits are a series of historical musical instruments. Throughout his life, Johann Sebastian Bach was deeply interested in the way instruments worked, and in acoustics and the problems of tuning.

Visitors can find out more about how the historical instruments sound from our virtual baroque orchestra on the wall. The instruments being played in the piece at the moment are marked by a light signal.

If you press the corresponding button, the sound of the instrument will be amplified so you can hear it more distinctly. The virtual baroque orchestra plays three pieces: the Gigue from the Orchestral Suite No.

The chorale has been arranged for the full orchestra so that visitors can get to know the sound of each individual instrument.

Bach himself would never have had an orchestra of this size at his disposal. This violone is owned by St. The churches in Leipzig always kept a basic reserve of musical instruments to be used in the rich musical life of the church.

The cantors of St. In his orchestra, the violone was the stringed instrument with the lowest register. As the violone was in continual use until recent times, it has had several changes made to it over the years — with, for example, the neck, pegbox, bridge and scroll all replaced in the 19th century.

In he asked him to look after the instruments of St. Hoffmann on the other hand mentioned Bach in his will. Bach used such an instrument in the St.

John Passion. Not only that, but the family also had countless guests. A family tree gives an overview of Bach, his wives and children. Nevertheless, we have very little secure evidence about their family life, and what we do know is extremely sparse.

This room also displays the only known original piece of furniture from the Bach family home. This heavy iron chest is the only piece of furniture known to have come from the Bach family home — though that fact was only discovered in The chest stood for many years in the Meissen Cathedral Museum, where it was used as a collecting box for donations.

Johann Sebastian Bach used this monogram as his letter seal from onwards. The letters JSB appear twice, once from left to right, and once as a mirror image from right to left.

The emblem is topped off with a five-pointed crown. The paintwork dates from the first half of the 18th century and is a sure indication that the chest belonged to the Bach family.

Bach was employed at court for 15 years. From to , he was the court organist and concert master in Weimar, and from to , he was the capellmeister in Köthen.

But even before and after these periods, he attached great importance to having good contacts at court. Such titles increased his social standing and were extremely useful when making his concerns known to those in positions of authority.

Cultural life in the 18th century was decisively influenced by the courts. Aside from the royal court in Dresden, which set the style trends, Central Germany also had many regional rulers with small courts and palaces, who were well able to afford their own orchestra.

Splendour and luxury epitomised life at court, and music was an important factor in their expression.

When Bach accepted the post of cantor of St. The cantorate of St. Bach was responsible for the music in the main churches of St.

Nicholas and St. Thomas, and took on a wide range of musical duties, both spiritual and secular. And as well as directing the St.

On the floor, visitors can see a map of the city from , the year Bach moved to Leipzig. The media stations tell about his official duties in the city.

Why not take a short walk through Baroque Leipzig? Much of the original street plan and many of the original street names have remained unaltered to this day.

This exhibition room was sponsored by the Ostdeutsche Sparkassenstiftung, Berlin, together with the Sparkasse Leipzig and by Dr.

Arend Oetker, Berlin. Every single one of his compositions may be called up from the media stations.

This exhibition room was sponsored by the Ostdeutsche Sparkassenstiftung, Berlin, together with the Sparkasse Leipzig. The Leipzig Bach Archive, to which the Bach Museum is attached, is dedicated to research on the lives and works of the widely branching family of musicians.

It is listed in the state register of Saxony as a protected cultural asset. Sound installation With the sound installation in Kretschmanns Hof on the Leipzig Notenspur, you can turn back time by or years and hear what Leipzig sounded like back then.

Her birthplace was destroyed in the Second World War. On a tour through five centuries of music history you will get to know the many facets of Leipzig as a city of music.

Today, the location houses the Städtisches Kaufhaus. In the Conservatory moved to the present location of the University of Music and Theatre.

Nicholas Church St. Nicholas Church is the oldest and largest church in Leipzig. Together with St. Thomas Church, it is one of the two best-known churches in the city.

In autumn , the St. Nicholas Church was the central starting point of the Peaceful Revolution in th. Grafisches Viertel - Music Publishers The oldest music publishing house in the world was founded in the Grafische Viertel in It was established by companies in the literature industry and publishing houses, and reached its peak in Opera Leipzig Leipzig Opera represents more than years of the city' s opera tradition.

It is home to internationally renowned soloists, choirs and the Leipzig Gewandhaus Orchestra.

Thomas Church The St. Thomas Church is a house of worship, place of music, home of the St. Thomas Choir and final resting place of Johann Sebastian Bach.

It is, after the St. Nicholas Church, the second-most central church in Leipzig's city centre. The museum also provides information on the exciting history of coffee.

Richard Wagner Monument The statue commemorates the musician Richard Wagner, who was born in Leipzig in and is regarded as the most influential composer of the high romantic era.

Old St. John's Cemetery The Alte Johannisfriedhof, which has been converted into a park, is the ideal place for a walk and houses several graves of well-known figures.

Google Maps Please agree that content from Google Maps can be integrated on this website. The Leipzig Notenrad. Cycling through the Music City There probably is not another city in the world where you can experience so many interesting historical places relating to music in such an active yet laid-back way.

The stations along the Leipzig Notenrad. Gustav Mahler House Built in , the villa served the composer Gustav Mahler as a residence in and Location of the second Gewandhaus, Mendelssohn-Ufer The second Gewandhaus was built because concerts by the Gewandhaus Orchestra were enjoying an increase in popularity in the midth century.

The large hall was able to accommodate 1, listeners.

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